 | "one of the very finest
recorder performers in the world, and one of the most deeply musical artists
I've ever known - Valerie
Horst (director emeritae Amherst Early Music / president Early Music
America) read more |
 | "stunning"..."sizzlingly
virtuosic" - The
New York Times |
 | "a magician"
- Daan Manneke (Dutch composer)
read more |
 | "truly a benchmark of what the
recorder can be." - American
Recorder read more |
 | "Geert Van Gele is one of the
best-kept secrets of the Belgian music scene"
- Paul Lambrechts (Senior
advisor for Arts and Culture to the City of Maastricht, the Netherlands)
read more |
 | "Geert, for me, is synonomous
with a new musical generation ... he experiences no boundaries between the
genres, but approaches them all with an open mind, and brings this openness
to his listeners. This ability makes him an especially exciting musician,
and a groundbreaking one" - Herman
Baeten, Director Musica read
more |
 | "It is clear that Geert Van
Gele has earned his place among the top early musicians in the Flemish Early
Music scene, and is highly appreciated by his colleagues." - Francis
Maes, Artistic Director Flanders' Festival - Brussels and
Ghent read
more |
 | "A Belgian
recorder phenomenon" - Enschede
Dagblad (Netherlands) |
 | "Duo Van Gele - Penson
concertize on the highest level"
- De Standaard (Belgium) |
 | "The height of what can be
attained with a solo recorder could be heard in the virtuosic playing of
Geert Van Gele." - Oldenzaal
daily paper (Netherlands) |
 | "An astonishing and
beautiful approach to Bach's cello suites... This interpretation isn't a
stereotype, but groundbreaking. Authentic!"
- JanPieter Biesemans (Belgian
composer) |
|